Meet the designers and artists behind the collections in Country to Couture’s show 2.

Boundless
Always was, always will be.
From the desert to the sea, Country holds us, teaches us.
Our fashion is a celebration of our cultural stories, from traditional materials, to streetwear, to couture.


Blak Sand
By Salt Water Murris Quandamooka Art Gallery
Yarabinjara Sea Country
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The mission of Salt Water Murris Quandamooka Inc (SWMQ) is to promote and preserve the cultural heritage of the Nunagal, Ngugi, and Goenbal peoples of Quandamooka Country. By operating a strong and sustainable Aboriginal contemporary visual art centre, SWMQ facilitates cultural productions and professional development opportunities for Quandamooka artists. These artists serve as the storytellers of their community, conveying individual and collective memories through their artistic works and dance performances.
Their latesy collection, Yarabinjara Sea Country, reflects stories passed down from mother to daughter, highlighting cultural relationships and familial connections to Quandamooka Yarabinjara – Ngaliya (Our) Sea Country. Documented by artist and author Dr. Sandra Delaney, the designs feature the tjuleen shell used by Mirapul, the wind caller, and depict the family’s knowledge of the land and sea of Quandamooka Country.
“Salt Water Murri Quandamooka’s participation [in Country to Couture] is seen as a significant opportunity to connect with First Nations arts and culture in contemporary ways through showcase our visual stories on textiles. Given that Quandamooka youth arts workers are involved in this event will help them to be inspired and to provide them with professional development opportunities. Wearable art is a highly visible platform for young Quandamooka people to see First Nations role models and the celebration of art and culture at events. Investment in textile design for wearable art is an investment in the social and emotional wellbeing of Quandamooka young people aspiring to be artists and arts workers.The project is an opportunity to support artists and arts workers to be community leaders and role models.” – Salt Water Murris Quandamooka.

“Our stories handed down by our family include ceremonies, teachings, and cultural practices that have always been and will always be. While they still are there, new ways of sharing culture emerge..new stories, new artforms to pass on knowledge. Our designs are a new way of speaking and it stems from the foundation of what always has been.”
– Salt Water Murris Quandamooka
Bula’bula Arts x Black Cat Couture
Lomuyirr – Soar
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Proudly Yolngu; Bula’bula Arts, is situated in Ramingining within Gurrwiliny (Arafura wetlands) and is part of Northeast Arnhem Land. Their mission is to foster Yolngu culture. Bula’bula represents strong professional artists producing high quality artworks telling stories of cultural lore learned through song and dance.
Black Cat Couture (NT) is a Darwin based clothing designer specialising in Top End Indigenous textiles. Marcia Russell, the person behind the brand, loves using vintage sewing patterns in her work and she often combines the aesthetic of the 1950s – 1990s with First Nations fabrics to create interesting and unique outfits. Since 2017 Marcia has been working in remote NT communities teaching women and young people how to sew and working with Art Centres to create vibrant fashion collections to showcase their wonderful art and textiles.
Lomuyirr – Soar draws inspiration from the breathtaking flight of birds, bats, and butterflies in Ramingining. Celebrating these magnificent creatures, Black Cat Couture has crafted a stunning collection featuring garments adorned with hand-painted and screen-printed elements by Yolngu artists.
“Being able to work alongside Bula’bula artists and work on this collection on Country is a truly enriching opportunity. I am proud to be able to bring my design and sewing skills to the ‘Lomuyirr – Soar’ project and support local creative talent.” – Marcia Russell, Black Cat Couture.

“Bula’Bula Arts takes great pride in collaborating with Black Cat Couture for the ‘Lomuyirr – Soar’ collection, furthering our mission to foster and share Yolngu culture. We are thrilled to contribute to this esteemed, national event, standing alongside other First Nation talents.”
– Bula’bula Arts
Buluuy Mirrii
by Colleen Tighe Johnson
Miyaaymiyaay (Seven Sisters)
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Fashion Designer Colleen Tighe Johnson founded Buluuy Mirrii in 2008. A proud Gomeroi Yinarr from rural Moree, NSW, now residing in Tamworth, NSW, Colleen harnesses her creative talents to revive Gomeroi Dreaming Stories through fashion. Each collection is a visual expression of Aboriginal culture and collaboration. Buluuy Mirrii, meaning ‘black star’ in Gamilaraay, weaves the past, present, and future of Aboriginal culture, respect for mother earth, and sustainable practices. The brand’s core values are respect, family, culture, pride, and community, showcasing Gomeroi Dreaming Stories to a global audience with a growing appetite for Aboriginal design.
“Being part of Country to Couture is a privilege… Buluuy Mirrii’s Seven Sisters collection has the opportunity to showcase alongside other First Nations designer’s sharing their stories, label’s and designs on this prestige platform.” – Colleen Tighe Johnson.

“Being apart of Country to Couture is a privilege…Buluuy Mirrii’s Seven Sisters collection has the opportunity to showcase alongside other First Nations designer’s sharing their stories, label’s and designs on this prestige platform.”
– Colleen Tighe Johnson
Gapuwiyak Culture & Arts x Helen Kaminski
By Gapuwiyak Culture and Arts artists: Lucy Wanapuyngu, Anna Ramatha Malibirr, Kathy Nyinyipuya, Marcia Mawulawuy Marrkula, Charmaine Ashley, with Trevor van Weeren – Arts Centre Manager, and Leonie Guyula – Arts Worker. Collaboration with Helen Kaminski Team: Phoebe Hyles – Designer and Developer, and Garry Bishop – Master Craftsman.
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Gapuwiyak Culture and Arts and Helen Kaminski have come together to collaborate and celebrate fibre works and their place in traditional and contemporary functionality and adornment.
“Our collection is merging two independent collaborations into one celebration of creativity.”
Helen Kaminski and Gapuwiyak Culture and Arts began collaborating on a limited-edition range of hats and bags about 12 months ago.
“We have all come together with a shared belief in the power of creativity to promote and strengthen Indigenous fashion and knowledge both within our respective local communities and on a national scale.”
Expect to see the traditional fibre work reinterpreted, sculptural silhouettes created in pandanus, accessories that blend raffia and pandanus together, bush dyed and upcycled garments and most of all a joyful celebration of resourcefulness, tradition, and creativity.

“Our project is truly in the spirit of the name Country to Couture. We are on Country and will work together to produce another amazing collection. We do things on Country not the city, and we want our cultural ways honoured .”
– Gapuwiyak Culture and Arts
Ikuntji Artists
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Ikuntji Artists is a member-based, non-profit Aboriginal art centre located in Haasts Bluff (Ikuntji), with a board of seven Indigenous directors from the local community of around 150 people. The artists draw inspiration from their personal ngurra (country) and Tjukurrpa (Dreaming), interpreting ancestral stories with traditional symbols and motifs. Their diverse artistic styles range from naive to highly abstract. Over its 27-year history, Ikuntji Artists has made a significant impact in the fine art world while serving as a cultural hub, reinforcing and revitalizing local cultural practices through art.

Magpie Goose x Ewyenper Atwatye
By artists Christopher McMillan, Bianca Turner, Janelle McMillan, Cassandra Neil and Stella McMillan
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Magpie Goose is owned and managed by Amanda Hayman (Wakka Wakka/Kalkadoon) and Troy Casey (Kamilaroi). As an Aboriginal-owned social enterprise the focus is on creating impact – through economic opportunities, storytelling and conscious fashion. They collaborate with Aboriginal artists in regional and remote communities to create statement clothing. Their unique garments are hand screen printed on natural fibres and ethically made in Australia.
Ewyenper Atwatye is the Central Arrernte place name for Hidden Valley, based in Mparntwe (Alice Springs).
“Ewyenper is the spearwood tree on the hills and Atwatye means gap because the camp is between two hills.” – Tim McNamara.
In 2015, the art centre established a textile enterprise called Hidden Valley Town Camp. It is a satellite project of Tangentyere Artists. They are known to produce high-quality screen printed textiles and are the creators of the very popular “Bush car take you everywhere” T-shirt. With a recognisable style of bold line work, and comic-like images mixed with text.

“Being part of Country to Couture means celebrating the rich tapestry of Indigenous culture through vibrant designs, weaving stories of our land and heritage into every stitch.”
– Magpie Goose
Nagula Jarndu
By artists Rowena Morgan, Martha Lee, Amanda Rose Lee, Marie Manado, Mareeya Pigram, Dena Gower, Connie Clinch, The late Mrs. Djiagween and The late Miss Chiguna
gujarra yangarrjin (two coming together)
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Nagula Jarndu (Saltwater Woman) art centre is on Yawuru Country, Rubibi Broome. The artists work predominantly in hand printed textiles- block and screenprinting and tell stories of their culture and country through this medium. We work in a sustainable, slow fashion way, creating small collections manufactured in Australia, limiting waste by repurposing all the offcuts of fabric into smaller items.
Kimberley Wedding is a collection paying homage to Country, the land on which people stand when they make the commitment to come together and marry, celebrating not only the beautiful union of two people, but acknowledging the country on which they stand as part of the ceremony.

“Country to Couture is an opportunity to create fashion from culture and to tell stories about who we are and what we feel connected to through a collection of clothing.”
– Nagula Jarndu
Northern Peninsula Area (NPA) Art Centre
Big Colours
By artists Renae Nona, Joy Tapau, Colina Wymarra, Leighann Ober
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The Northern Peninsula Area Art Centre serves as a platform where fashion becomes a powerful medium for representing two distinct cultures. Here, women collaborate to create collectively while expressing their individual artistic visions on silk. This unique approach not only celebrates cultural diversity but also showcases the artistic talents of the community, bridging traditions and contemporary expressions through fashion.

“[Country to Couture]…is an opportunity to find a greater market.”
– Northern Peninsula Area (NPA) Art Centre
Eleraze
By Sonya Coleman, Amna Qureshi, Melanie Sarantou, Eleanor Coleman, Sonearae Bilney, Chante Bilney, Azarni Coleman, Mark Richards
Warna – Tide before Time
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EleRaze is a collaborative effort led by Sonya and her family. The artists behind the collection Warna – Tide before Time, include Eleanor Coleman, Sonearae Bilney, Chante Bilney, Azarni Coleman, and Mark Richards.
Based in Ceduna (Tjutjuna), SA, Sonya, a Wirangu/Kokatha/Mirning woman, draws inspiration from the beauty of the Far West Coast. She receives support from Amna Qureshi, who specialises in digital textile designs, and Melanie Sarantou, a master designer in media art and fashion design, both originally from Pakistan and Namibia respectively.
Ceduna-based artists Hannah Lee Nicholls and Frew-Anne Halbert further enhance Sonya’s artistic journey.
Their collaboration has transformed Sonya’s art into textiles and garments, marking a significant creative evolution.

“My Collection is a representation of my Country, through the eyes of Generations.”
– Sonya Coleman
Yarrenyty Arltere Artists
By artists Marlene Rubuntja, Dulcie Sharpe, Rhonda Sharpe, Roxanne Petrick, Louise Robertson and Helen Ebatarinja
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Yarrenyty Arltere Artists is a vital place for the community of Yarrenyty Arltere Town Camp in Mparntwe (Alice Springs).
Working in soft sculpture, textiles, work on paper and film, this vibrant Art Center as part of Tangentyere Council, has given opportunity and voice and income to people that too often find themselves marginalised.
Rich in personality and defiance, Yarrenyty Arltere Artists continues to be shaped by the artists that hold it strongly and proudly as their own. It is a place where people come together to make art, work out problems, look after family and plan for their future.


SAVE THE DATE
Tuesday, 6 August, 2024
Country to Couture 2024 will return to Larrakia Country this August alongside the renowned National Indigenous Fashion Awards and Darwin Aboriginal Art Fair.

